I loved this show and was captivated from the very first outfit. There was a grey, cream and black box pleated knee-length geometric printed skirt worn with a chevron striped sweater that was too fabulous for words. It was finished off with a short salt and pepper wool coat worn open that added the final lady-like touch. Unfortunately we don’t have a photo of that outfit, but I want to wear that ensemble right now.
The collection was an impressive mixture of classic pieces with a big fat does of MODERN. It also captured just the right amount of glamour and edge, a vibe I really appreciate when it’s not overly dramatic. The retro ’40s inspired hairstyles of the models were a final fun addition. I really didn’t want this show to end – it was that fab.
The colour palette was gorgeous. A range of greys, ink blue, mid blue, black and cream, spice tones like rust, deep red, brown and mustard, and luxurious purple and burgundy. There was a splattering of black, and when it was shown, it was predominantly with cream. I loved how the lack of black lightened up the entire feeling of the collection.
The toppers were lovely. Some with oversized collars and some without collars. Some fitted and some voluminous. They were all worn open, even the double breasted styles. The colourblocking was subtle.
Rose’s collection had a wonderful variety of patterns, with some interesting pattern mixing. When compared to Brandon Sun’s collection, Rose’s designs are less texture rich and more refined. But in a way, that makes the cut and the drape of the garments more of a statement.
Midis are definitely sticking around, both in pencil and full skirted silhouettes. Very happy about that! Necklines were also quite high, which makes for a nice change. Mixing soft with rigid fabrications is an ongoing great trend.
Lela Rose’s evening dresses were very pretty. Many of them were patterned, something that has not been popular at all. We tend to think of solids as most formal, but I think those days are over. Patterns have become just as dressy and chic as solids. Chevrons, swirls, checks, blocks and spider web designs ruled Rose’s runway, with the odd bit of ’50s floral thrown into the mix.
I was less in love with the glitzy embellishment, but it had stage presence for sure. I also enjoyed the retro bustles and front pleated draping on the fancier frocks. The strapless dresses worn over gauzy tops are how I like strapless garments best: Sheer and alluring, yet covered and interesting.
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