The tuxedo riff has always been my favorite evening look ever since Yves Saint Laurent’s models strutted it down the runway in the 70s. I felt at home in its elongated, minimalist, androgynous look in a way that I never did in more traditional female evening dressing.
While I (sort of ) agree with Gryffin’s description, I think pulling off the look depends more on the personality and attitude of the woman herself than the specific garment. My versions of “le smoking” have, at one time or another throughout the decades, incorporated both wide and narrow legs, cropped and elongated jackets, silk and sequined lapels, bared skin, silk ties worn with halter tops, low-heeled brogues and stiletto heels, red and nude lips, smokey eyes, long and short hair, and all combinations therein. Even in my 70s, I’m still wearing my “tuxedo” to opening night at the opera and feeling wonderfully me when I stride through the crowds of ladies in their evening gowns and jewelry.
To me, the wearer has always been the key element in the transformation of a black pantsuit from daytime to evening wear. A woman needs to embrace the androgynous/ convention-bending roots of this look, infuse it with her own personality so she feels comfortable in its sensual connotations, and then wear her “tuxedo” with confidence in a swirl of pretty, feminine frocks. In short, “le smoking” needs to fit the personality of the wearer.