What time is it? It's time I looked in to say Hi! and share another of my shaggy dog stories! Also, I want you all to share in a tiny moment of glory but I have no idea how much longer the links will work.

As you might recall, I didn’t get very far with my own business, but in the process of trying I did get quite a lot better at pattern cutting. So, after a season of health issues and career uncertainty, and needing to get into a more positive routine, I persuaded my friend over at ByBrown to take me on part time. I started there at the beginning of the year and so far it’s all been good.

Surprisingly for a small brand, (but less so for the quality of the product - I am a long time fan) ByBrown was scouted by Vogue Italia to feature as one of their Next Green Talents. I always appreciated Melanie's approach to quality and sustainability, which you can read about in her own words if you can scroll past the eye candy.

Anyway. This last month I’ve been helping out with the featured collection, which was built around a series of hand-printed fabrics developed by Marnix Postma (that’s him with the tattoos). I’ve been working mainly on pattern development and other technical details, but I also had some input on the final styling, which went something like this.

Among the collection were some digital prints derived from an original artwork, in stretch knit and cotton velvet. The lightweight knit was made up into some gorgeous body wear and it came out beautifully. On the other hand, the velvet proved harder to tame. With time was running out and no wearable garments it looked like it was heading for the reject pile. I saw its potential and was pretty sure it could be rescued.

And so, on Friday afternoon, less than 48 hours before the shoot, I draped a pair of culottes. If you make clothes yourself and you’ve worked with large scale prints, you can probably see what I was up against. Everything depends on placement and proportion - a wrong tuck and the whole design collapses. Too long and you’re wearing curtain material. But with a bit of luck you might find a sweet spot where it all falls into place.

See, this is the kind of “fast fashion” I can get behind. It’s nothing like the brand’s technical sportswear, where products can be months in development, it’s just a very simple design to showcase a striking fabric. But I wasn’t expecting these culottes, made more or less for the fun of it, to make it past the house stylist, let alone onto the Vogue Italia website.

And yes, those are my YLF-endorsed Ann D’s. I loaned them for the shoot.