Hi TG —
You know a good color analysis thread is catnip to me, ha!
I’m all for highly customized analyses but think the “Here’s Your Box” ones are, at best, a jumping off point. MOST of us can push certain color spaces — for you it sounds like blue may be one of them! — though we can’t necessarily push them warmer or cooler.
If you want another rabbit hole and haven’t read Carla Mathis’ Triumph of Individual Style (e-book is 20 US online), her color section gave me so many “aha” moments.
In one part, she shows various pure pigments and their shifts. I've never seen other systems referencing some of the combos she does.
Various systems may do it, but because it’s all split across various “seasons” it’s not obvious. Seeing it laid out as she does made it easy for me to grasp — ok, that pure pigment looks really good on me IMHumbleO, so no wonder I like the [shifted versions, except for when it goes XYZ].
For reference, Mathis uses washed = watered down; tinted = cool or warm white added; toasted = cool or warm brown added (even cool color + cool brown warms up the pigment); shaded = black added; muted = mixed with pure pigment complement.
However, I do think there’s a LOT of room between the colors you posted — even in the more Box-y systems!
For instance, a German company who supplies analysts with swatches etc etc has some gorgeous deep shades on the Soft Summer-Soft Autumn swatch — not sure if the system you were analyzed in kept them all in the light to medium value but...
I’ll add a comparison shot below of some of their swatches below, including the SSu-SAu.
I will say I’m constantly surprised by how deep my own colors are because ON me they often look “bright-esque.” Whereas highly saturated shades tend to jump out and overwhelm.
I noticed a fair bit of your WIWs tend to feature black or fairly saturated shades. Maybe there’s more opportunity to find “your version of”?
IIRC one deep cooler green top that I thought looked great might have been sent off, haha. But assuming you liked that color too it doesn’t mean ALL your shades have to be that deep or just lighter versions thereof.
In truly custom palettes — DIY or pro — you can push those boundaries more without sacrificing flattery and have colors that you couldn’t really wear together at the same time. Maybe it’s a somewhat different *effect* but whatever, right?
For instance: As much as I love so many greens, the yellow-influenced ones will look forever horrid on me...but there are (rare) options out there besides the deep blue-greens that work. If I stopped holding things up and really *looking* I’d dismiss anything not in my existing universe.
Ps re swatches: if you think, “some of those colors look the same across seasons” it’s because some of them are soooooooooo close. And depending on the person, it may not matter!
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